Lowry’s The Giver

casing isolationism and the struggles surrounding solitude argon recurring themes in many expectant pieces of literature. Lowrys The Giver is an excellent work of contemporary fiction whose master(prenominal) contribution, Jonas, struggles with much(prenominal) a burden. In order to properly identify character relationships of isolation, I will comp atomic number 18 and contrast The Giver with two opposite well-known pieces of adolescent literature The Outsiders by S. E. Hinton and backstop in the rye by J. D. Salinger.Jonas, in The Giver, views his hometown as the perfect place, a utopia that is self-contained and broad of ruinous element such as conflict, illness, divorce, and inequality. He comes from a loving, gushing(prenominal) family building block father, return, ane brother, unmatched sister. Every bingle in his hometown fits this perfectly balanced stakeer-family mold. Its a gift-wrapped location to raise a family, or so we ar led to believe. His family, as ar every last(predicate) families in this utopia-like purchase order, has good intercourse methods and ar supportive of one another.Lowry creates such a background to have-to doe with his theme of a protagonist teetering into the realm of isolationism. The author uses the omniscient come in of view of Jonas by means ofout the story. As the reader envisions the story solely through and through Jonas, we see his family is supposed shares their feelings and emotions when issues arise. Its almost too perfect. Yet graven image diminishes when we collect, through foreshadowing, that a certain pilot who was in a bed sheet crash was to be released from the community. The speakers voice takes the situation lightly, change surface with a hint of humora marker that something is amiss.One of the master(prenominal) themes in The Giver is individuality verses conformity. This jibes Jonass struggles with isolationism. Lowry leads us to believe in this utopia. Yet, as Jonas and other children freely choose jobs to increase their own acquaintance base, it becomes apparent that the Elders have another purpose for them. The Elder will be choosing what direction their future will go once they are cardinal years-old. Later, Jonas shares a provocative dream he had close Fiona. Jonas is pleased with the frolic his dream brings to him.Lowry wrote, And the nakedness, too. It was against the directs for children or adults to look at anothers nakedness but the rule did not apply to newchildren or the Old. (p. 30) This statement speaks volumes about the sexual racism and tensions that were prevalent in the society of The Giver which dirty dog be compared to the pressures that revolved around the status of wealth in The Outsiders and Catcher in the Rye. The Givers protagonist accepts this rule as Lowry responds to the rule against seeing other volume naked. Jonas was glad.It was a nuisance to keep oneself cover while changing for games, and the required apology if one had by slue glimpsed anothers body was always awkward. (p. 30) The author gives us shrewd hints of Jonass isolation that is to come. He liked the safety hither in this warm and quiet room (p 30) According to the Elders touching other people outside of ones immediate family was deemed rude and inappropriate behavior. His mother informs him that hell be taking a pill to help him. This is one more way for the Elders to control their callowness. In event, this leads to Jonas into isolationism.Jonas begins to feel sad. When Gabe is actually allowed to subsist with Jonass family, the community sets boundaries. Gabe layabout stay but they are not allowed to become emotionally attached to him. The communities means of controlling its people sinks Jonas move on into isolation. Jonas speaks with the old geezer Elder in chapter eight, bringing to light the contact of his isolation. The Chief Elder says, But you will be faced now, she explained gently, with pain of a magnitude that non e of us here raft comprehend because its beyond our experience. So, because the Elders, hid their true motive, children are torn emotionally from what was to be a perfect life. When we consider the novel, The Outsiders by S. E. Hinton we find many parallels with The Giver. some(prenominal) have themes centered on isolationism and what sort of grave effects it can have on an individual, a family, or a town. There are as well as secernate differences in these two novels. Both of which will be discussed in detail. The Outsiders is a story of two immatureage crime syndicates the socs and the greasers. This novel is a classic East versus West scenario in a small okey town in the 1960s.The socswhich is an abbreviation for companionablesis a gang of plastered teenage hoodlums that drive fast cars, get the pretty girls, and have the social markings of upper class due to their familys economic status. The greasers are the gang of teenage boys that come from the lower class, most bei ng raised in broken homes where mom or dador sometimes neither parentis around to provide guidance. One contrasting difference here is the detail that The Giver opens with families living in a utopia-like geographic bowl where both single family fits the perfect family unit of a father, mother, and two siblings.This family unit is structured with chat skills as well where issues are discussed on a daily basis. There are no racial tension or inequality issues to speak of in The Giver, either. S. E. Hinton, on the other hand, creates a real-life scenario that parallels life-styles in Oklahoma in the 1960swhich is when the book was create verbally by an actual teenager. Thus, The Outsiders displays how dysfunctional families operate. There is constant conflict among siblings and jeering between the greasers and the socs. Being in a gang instantly offers the teenage-societies an elongate family.They trust one another and wound die for each other. The families inwardly the gang understand one another because they can relate to one anothers pain and suffering. Even when they are faced with such constant emotional struggles, physical entanglements, and trouble with law enforcement, the gang members are on the same wave-length and follow one another. In The Giver, the families live in an apparent pristine environment that directly opposes this. The parents and children form proper communication channels by discussing issues at dinnertime.Some of the characters in the Outsiders are well-to-do if they get dinner every night. Yet, the path of isolationism for Jonas is the genesis for the characters circumstances. He cannot free himself of this downward spiral, even when hes place in such a positive environment. S. E. Hinton, on the other hand, displays characters approach shot together in the worst of times. Another parallel, in The Outsiders, ties into the issue of insularism from family. Here, teens are often led to see things as only remediate or wrong. But, as we know, circumstances in life are seldom black and white.Too many intricacies are involved when teens are struggle to survive and discover their way to be viewed as simply all-right or all-wrong. The protagonists in both Hintons and Lowrys novel have underlie subplots of youths trying to discover their place in life. Another comparison is the fact that both authors play into the common-knowledge ideal that says, life isnt decorous. Whether life is fair to the socs or the greasers is seen differently. The socs desire the glamour and status that goes along with their affluent rearing.The greasers, on the other hand, desire a different image. They tangle witht want to be associated with the upper crust of society. According to a greaser, the money, clothes, and cars, are the last thing theyd ever view as a priority in life. In fact, they despise them, mainly for how society treats the lower class. However, both gangs are products of a lifestyle where parental upbringing d oesnt show respect to their children because parents are unwilling to listen to the youths ideas, desires, and needs. These are the precise components that led to Jonass separation from the family unit.In the novel, Catcher in the Rye by J. D. Salinger, we find similar connections in the background of each story. Both novels depict a protagonist culmination from an affluent upbringing. Salingers novel is set in a post World War II time when the nation was trying to turn a financial recovery. Holden goes to a private school and money is of no concern to him, his family, or his immediate peer group. The breadwinner in Catcher in the Rye, Holdens father, is a embodied attorney that is only interested in money, golf, and fancy toys such as classy cars.Freedom from financial concerns is a comparative attribute for Holden and Jonas. Holden and his father dont understand one another which can be compared to Jonas and a discussion he has with the Elders in Chapter 20. What about you? Do y ou lie to me, too? Jonas almost spat the incredulity at The Giver. I am empowered to lie. This grave scene in The Giver brings to light how painful an entire childhood can be. Its the parents and Elders were not true to their children and thus encounters the life of our protagonist.Holdens father is also blinded by money and his status as a corporate lawyer. This puts barriers up between him and his son. These barriers are like lying to Holden, causing him distress as he tries to find his place in society. Just as Jonas is the protagonist and narrator, Holden is also the narrator and protagonist of Catcher in the Rye. The impact of the stories theme and character relationships in both stories can be tangle on a deeper level when we experience the story solely through the protagonists eye. Another contrasting element between the protagonists for S.E. Hinton and J. D. Salinger is how the characters are introduced to the story. It is very clear that Holden is struggling with life . He is 16 years-old with partially rusty hair, thin, and out of shape. He smokes cigarettes as well. Jonas, on the other hand, is raised in this Eden-like village where everyone moves through life free of stress and ailments. Furthermore, Holden is an angry teen who is very confused and depressed. He also displays characteristics of bigotry which contrasts Jonass lifestyle of equality.Holton, however, is an evil person but he can be signifier and even thoughtful which matches the characteristic expectations of the children in The Giver. In fact, almost every person had similar physical features as can be seen in the following citation Almost every citizen in the community had morose eyes. His parents did, and Lily did, and so did all of his group members and friends (p. 20). Yet a distinction is pinched in Jonas as the author followed the above citation with this But on that point are a few exceptions Jonas, himself, and a female Five who he had noticed the different, lighter eyes.Thus, we are given hints of Jonass differences. This contrasts the obvious struggles that are in Holtons persona. As I looked collectively at the comparisons and contrasting differences between The Giver and the two other novels, I found the likenesses to be more apparent than the differences. Each of the novels under study all had a theme of isolationism. On top of this, the protagonists and most of the minor characters in all the novels were children and young adults who struggled with loss, depression, conflict, and illness.Each story brought the reality of separation and isolationism to light as the youth banded together to overcome obstacles. The stories display how great an impact deceit, control, and lack of compassion can have on individuals growing into adulthood. state can shut down and sink into isolation. The burden of all this can either lead people away from following their dreamssometimes destroying themselves into a pit of isolation. The strong-willed, however, find a way to learn from these challenging situations and discover ways to help themselves so that they, in turn, can help friends and love ones.