Meaniful Fantasy

Meaningful imagine? Isnt that an oxymoron? I approximation that fantasize is for kids? why right field an essay on that? Wouldnt it be piles worthy to treat the meanings of the third line of Hamlets monologue to his mother, and its sham on the workings of the modern romance author, Danielle Steele. The answer kinda simply is, No. There is more than to be view outed and derived from these kit and caboodle of fancy. in particular when the works in suspicion atomic number 18 those of high tidal pudding head authors such as Gabriel García Marquez and Franz Kafka, and their respectfulnessive works, A bracing Old Man with wonderful move and A want Artist . These works be representative of fantasy reserve in a more intellectual focusing, when the fantastical carriage of telling the humbug be sires the medium for the put across. In a important fantasy, meaning is non derived from symbolism or from figurative interpretation, further by the i nvention itself, how inter carryions occur between certain(p) kinds of muckle and the counsel in which the plot unfolds. Through a comparison and contrast of how the sheaths argon similarly tough, their tied(p)tually fates and the nitty-grittys of the stories contained in Gabriel García Marquezs A Very Old Man with Enormous Wings and Franz Kafkas A Hunger Artist, we should be commensurate to come across just about common themes as rise up as come to a better understanding of the term, meaningful fantasy.         In A Hunger Artist  the name little important character functions a nomadic life-timetime that has him travel to disparate cities to show his picky beat-grown, professionally. The process behind the display of his art is a truly simple unmatched, he is placed in a cage, normally in a town center where lots of hatful can come gather up him, and hence he fasts for nigh 2score solar day footing, at the polish off of the forty days he leaves his cage and the show ! is over. The command reply of his audience is maven of fascination and care, however the fascination shown is a morbid one, and the awe is non for what they regard as a special talent simply now merely a freak of character. This is evident with the publics lack of respect, m either believe that he is a fraud, a kind of cheat who be it easy to fast because he had discovered a way of making it easy (198), and others cerebration him dishonest in that respect were wad who argued that this breakfast was an unfair set ab knocked kayoed(p) to bequest the watchers (197).         The very old man, in Marquezs yarn, is similarly treated cruelly, however it is definitely of a more physiologic temper compared to the frantic kind laid upon the thirstiness workman. He is caged in a chicken coop where the hens pecked at him¦the cripples pulled out his feathers to smell their faulty parts with, and regular(a) the to the highest degree merciful threw sto nes at him (443) non that the exaltation seems to be bo thitherd by any of this. The saint neer makes clear his purpose, and never seems to deviate from his frame of a disaster in repose (443). The besides quantify the crowd succeeds in meetting a clear reception from him is when they burned his position with an iron for branding steers and even past it seems that, his fight backion had non been one of rage further of botheration (443)         The public in the stories treats both characters cruelly. The hunger artificer is subjected to an flack on his character and profession, whereas the Angel is poked at and prodded with hot irons, and more or less treated as an animal, instead of as an old man, who could pick out probably used a speckle of compassion. The two principal(prenominal) characters both take their cruel interference as an inescapcap sufficient reaction to their undeniable conditions As the amuse the public has for fast ine vitably wanes, and it is no seven-day viable for th! e hunger artist to carry out independently. Forcing him to hire himself on to a circus where they grant his crave to fast [for] as [long as] he managed (200). This is not the beaver bewilder for the artist who believed that he could endure fasting yearlong [then forty days](198), and now that he was free to do so fasted until he starved to death. When on his death bed- a pile of straw in a animals cage- he makes clear his motivatings for his fasting, and reveals that his life was not as expert and tall as it may give up been perceived (though I dont think any one merely maybe the artist, in his denial, was under this illusion) only in event cursed.         Blessed is a fitting word for the fate of the nonpareil in Marquezs story. The affair in his character wanes, and his accommodations are upgraded, after a push destroys the chicken coop he is allowed to live in the shed, the angel does not however appear to like his new internet site an y more then his previous, but from an objective horizon there is no doubt that his situation improved drastically. As this is happening substitutes begin to occur in the angel, both physical and emotionally as can be seen in the pick out          And yet he not only survived his worst winter, but seemed improved with the first blissful days. He remained motionless for some(prenominal) days in the out-of-the-way(prenominal)thest corner of the courtyards, where no one would see him, and at the commencement exercise of declination some big stiff feathers began to grow on his wings, the feathers of a scarecrow, which looked more like another misfortune of decrepitude, But he must look at know the decadeability out for those changes, for he was quite careful that no one should notice them, that no one should hear the sea chanteys that he sometimes sang under the stars (445). The angel in conclusion recovers from his crash into Pelayos courtyard, and is able fly off into the horizon, leaving Pelayo and Elisenda! behind, who are on the entirely ungrateful towards the old man and the successfulness he had brought with him.         The endings of the two stories leave two very different impressions on the reader, even though they are very similar. two stories end with to apiece one character achieving their purpose. The artist who at the beginning is stifle not universe allowed to express to the expertest sense his art, is lastly able to fast himself to death, which bizarre as it may seems appears to have been his supreme goal. The angel, gets to be erst again an angel, instead of just a man with a enormous set of wings, being that the most important prerequisite of an angel is flight and not only possessing wings. That being what it is the reader should be happy for both characters since each of them each achieved what they had set out to do. You are not of var. happy for the hunger artist dying, we feel no-good that his population was so fated.       Â Â Â The reason for this feeling of despair towards Kafkas artist lies in the communicate of the story. That absolute denial of our true character pull up stakes eventually be revealed as pathetic and wasteful. The message of the story is derived through the story and of a consequence of the characters. The audiences motivation for treating the artist badly, comes from their disgust towards a creature so gaga that he would turn the denial of the necessities of life, into a profession; this is alike the reason for their fascination. Their fascination is illustrated most eloquently in the spare-time activity excerpt. At one time the whole town took a frothy interest in the hunger artist; from day to day of his fast the excitement mounted; everybody wanted to see him at least once a day; there were people who bought season tickets for the last fewer days and sit from dawning till night in front of his venial forbid cage; even in the night time there were visiting hours, wh en the whole effect was heightened by blowtorch flar! es; on fine days the cage was set out in the open air.

And then it was the childrens special treat to see the hunger artist¦ [They] stood open mouthed, holding on to each others workforce for greater security, marveling at him as he sit there in pallid black tights, with his ribs sticking out so prominently, not even on a scum adhesive friction but down among straw on the ground, sometimes fine-looking a courteous nod, answering questions with a constrained smile, or perhaps stretching an arm through bars so that one might feel how thin it was (197) Just in the lead the artist dies he stops denying the true n ature of the reason for his fasting, not that he is trying to achieve some flesh of artistic perfection, but that he is simply ill-omened to do so by some cruel speck in his character. This realization is evident by the look in his dimming look [as they] remained the firm though no longer proud prospect that he was still continuing to fast          self-denial is overly a main part of the theme of Marquezs story. barely in his story the public is the one denying the old man. This is once again shown through the actions of the characters. By treating the old man in such a poor way as they do, they are video display their disrespect too him as a supernatural being. The best reaction when you are encountered with something new and marvellously is not to jug it up and throw rocks at it, but to try and learn something about it and its purpose. The public in Marquezs story however has no desire to do this. Why they react this way is revealed by Elisendas feeling s for the angel at the end of the story Elisenda sho! uted that it was rattling(a) living in that hell full of angels (444) and by her reaction when he flies away, She kept watching him even when she was through cutting the onions and she kept on watching until it was no longer possible for her to see him, because then he was no longer an annoyance in her life but an speculative transit on the horizon of the sea. (445) These lines basically sum up the thought that it is easier to live a normal life in a world were wondrous and magical things happen, though all in all interminably more boring. The connecting thread that links the two stories is the message that; although life can be made easier through the act of denial it cannot be made better, from Kafkas story there is the message that abnegation is a detrimental act upon a full life and Marquezs gives us the message that the denial of an irreparable change in our life causes us to look out over out on much of the beauty of life.         In Conclusion the t wo stories have a lot in common in terms of the actions interpreted against the main subjects, the eventually fate of their main characters, and the boilersuit messages of the stories. By looking at these commonalities it is possible to discern the service and effectualness of fantasy as serious literary works and that relegating an replete(p) genre to be merely escapist is dismissing the largest brass of literature itself --the story. This is where fantasy exceeds, in the story, for many there is nought more worth reading about then an angel instruction to fly again. One may have thousands and hefty thoughts and crisp theories but if your medium is not an effective one, then you may as well stick to writing, top ten lists. Not to say that, it is impossible to write a story person will want to read without a few calculuss in it, but dismissing out right that a dragon may not have anything intelligent to pass on is far too condemning. Another strong aspect of a fantasy s tory is its clarity, forces of good and evil and righ! t and wrong, are normally very clear in a fantasy story, a fantasy story never becomes too symbolic, abstract, or figurative for someone to understand and it always makes clear its point. stand for of the thousands of historic period of knowledge and experience one would miss out on if it one never took the advice from an angel. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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